For Felix Gyamfi, photography is less a record of a single moment than an exploration of time itself. His practice investigates how stillness, repetition, and transformation shape our perception of images, shifting between documentary and staged arrangements. Recurring motifs—bodies, fabrics, urban fragments—reappear across his work, altered with each cycle to question the stability of memory and the linearity of progress. In this oscillation, Gyamfi positions photography as both an act of remembrance and a medium of disruption and renewal.

Grounded in his Ghanaian heritage and European upbringing, Gyamfi’s work merges biographical reflection with broader cultural narratives. Encounters in Ghana and Germany alike inform his exploration of belonging, transition, and identity. A graduate of Muthesius Kunsthochschule Kiel and years later a teacher at the same place, he has exhibited in several group exhibitions and most recently presented his first solo exhibition.

Now based in Berlin, Gyamfi works across both artistic and commissioned contexts. Alongside his conceptual projects, he specializes in portrait and fashion photography, approaching editorial, commercial, and collaborative assignments with the same attention to atmosphere, detail, and temporality that defines his art practice.